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Newsletter 12/2025
Deutsche Kulturveranstaltungen
Stephan Bormann & Thomas Fellow are among Germany’s most innovative acoustic guitarists. As both acclaimed performers and university professors, their collaboration as Hands on Strings has redefined the art of guitar duo playing. Since the early 2000s, Hands on Strings has amazed audiences with technical brilliance, emotional depth, and stylistic diversity. Their music blends classical, jazz, pop, and world influences into a dynamic acoustic guitar language that speaks across genres and generations. 12.12.2025 Blue Note Beijing, No.23 Qianmen East Street 13.12.2025, Blue Note Shanghai, Citic Plaza, Shanghai |
Vierzig Musikerinnen und Musiker aus verschiedenen renommierten Berliner Orchestern bringen ein anspruchsvolles und Orchesterrepertoire auf die Bühne und sind gemeinsam das Berlin City Symphony Orchestra. Zusätzlich zu Konzerten in den großen Konzertsälen in Berlin tritt Orchester im In- und Ausland auf. Das Repertoire erstreckt sich über vier Jahrhunderte Musikgeschichte – von Barock bis ins Heute, von Orchesterkonzerten über Solokonzerte, Oper und Oratorien. 24.12.2025, Chengdu, Chengdu City Concert Hall 29.12.2025, Hangzhou, Hongxing Theater 30.12.2025, Beijing, National Library 31.12.2025, Shangyin Opera House 1.1.2026, Shenzhen, Nanshan Center 2.1.2026, Guangzhou, Xinghai Concert Hall |
Das Sinfonieorchester Hannover spielt seit über 60 Jahren eine herausragende Rolle innerhalb des hannoverschen Kulturlebens. Das Ensemble setzt sich zusammen aus Studierenden, jungen Berufstätigen, Schülerinnen und Schülern. Einen Großteil bilden Studierende unterschiedlicher Studiengänge der Hochschule für Musik, Theater & Medien Hannover. Die Leitung liegt traditionell in den Händen von Professoren bzw. Dozenten der Musikhochschule, sodass vielfältige Kooperationen stattfinden. 31.12.2025 Guangzhou, Zhongshan Hall |
The inaugural program at Aranya Art Center Guangzhou will feature the first solo exhibition in Asia of Wiebke Siem, one of the most significant contemporary artists from Germany. The solo exhibition brings together nearly one hundred works across such mediums as sculpture, installation, and paper, spanning various phases of the artist’s multi-decade career. With sculpture at the core of her practice, Wiebke Siem extracts everyday objects from their original contexts while warping their form and meaning. Since the 1980s, she has been using fashion as a point of entry, transforming clothing into unwearable sculptures. Hand-sewn dresses, coats, and hats hang suspended without wearers, becoming the outer garments of cultural gender constructs. She has also been reconstructing traditional 18th and 19th century furniture from the German countryside, painstakingly restoring their structure and details while intentionally diminishing their practical function, stripping them from reality to become fixed cultural heirlooms imbued with the collective memory of modern Germany’s national narrative. 23.11.2025- 1.3.2026 Aranya Art Center Guangzhou, Jiulonghu, Guangzhou |